Jimmy Rowles Trio - Jam Face
[CHCD 71014]

£8.99

Jimmy Rowles Trio - Jam Face
Track List:
01 WHILE WE’RE YOUNG
Alec Wilder, Morty Palitz & William Engvick
02 LUSH LIFE/TAKE THE ‘A’ TRAIN
Billy Strayhorn
I LOVE YOU
Cole Porter
I HADN’T ANYONE ‘ TIL YOU
Ray Noble
MARGIE
Con Conrad, J. Russel Robinson & Benny Davis
CHICAGO
Fred Fisher
DESERT SONG
Sigmund Romberg & Oscar Hammerstein II
03 JAM FACE
Jimmy Rowles
04 BLOOD COUNT
Billy Strayhorn
ISN’T IT ROMANTIC?
Richard Rodgers & Lorenz Hart
05 WHERE OR WHEN
Richard Rodgers & Lorenz Hart
06 MY MOTHER’S LOVE
Jimmy Rowles & Johnny Mercer
07 IRENE
Harry Tierney

It wasn't until Jimmy's recent visits to the East that I came to know his playing well. Although he has been highly admired for many years and has played on many recordings, he has never really had the proper exposure. Marian McPartland recorded him on her label, Halcyon, about a year ago; this was, I believe, only the second album he had ever made as a featured artist.

And now Gerry Macdonald has recorded him on Choice Records, accompanied by bassist, Buster Williams and drummer Billy Hart. It is a very exciting, warm and witty landscape of music. In it are to be found endless illustrations of the unique style of this highly inventive, tender and uncluttered pianist. I know of no other one who conveys the same textures and highly personal sentiments that Jimmy Rowles does.

Since I am a songwriter, I am in a position to say with some authority that he respects the song, no matter how sophisticated his variations and improvisations may be. And if he plays a ballad, I am certain that he is as familiar with the lyrics as he is with the melody. He is, with all his tenderness and warmth, as strong and direct as he is subjective and vulnerable. He dares to play songs which, in other hands, would be inept and bewildering. But his capacity to find good wherever his fingers take him would make it possible for him to persuade us to consider the worthiness of Mairzy Doats!

Occasionally, there are sudden whipcracks of cynicism and wry anger but only as much as we might feel when the person we have done a favour for fails to thank us. But for those rare moments Jimmy Rowles plays as if he were telling us a bittersweet secret or a outrageously sardonic joke.

His preferences in harmony do not attempt to be the most complete or avant-gardishly fashionable but rather the richest and warmest. Nor does he melodically attempt to play The Minute Waltz in ten seconds.

On the contrary, his style is spare and he clearly seeks only the essential, the apt and the finely honed musical phrase. He is not concerned with showing off or setting fire to a Roman candle factory; he is only firmly expressing the undeviating good taste and elegance, his own loving self.

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